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Shackleton (UK)

Co-ran the Skull Disco label from 2005 to 2008 with Appleblim. Shackleton's take on the sparse template of minimal techno, originally showing heavy influence from Muslimgauze, evolved over the course of the label's lifespan to a sound that resembled something closer to a skeletal, emaciated take on the drop structure and sepulchral sound design of dubstep. By the time of his last release on Skull Disco - the label's last as well, the aptly titled Soundboy's Suicide Note - his work was practically consuming itself. As described in a Resident Advisor review, "Shackleton's loopy drum programming and ink-stained bass...are pushed to psychedelic extremes. Rather than seeking a way out for his music, he found new ways to burrow deeper."

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Model 500 (US)

Model 500 and Model 600 are aliases of Juan Atkins.

After releasing several Cybotron records, Atkins began recording as "Model 500" in 1985 and founded the Metroplex label. His friends Eddie Fowlkes, Derrick May, and Kevin Saunderson all recorded singles on the label.

Atkins' first single as Model 500, "No UFOs," was a hit in Detroit and Chicago. He followed it with a series of landmark techno tracks, earning him the nickname "the godfather of techno." Within a few years, Atkins' work was rereleased in Europe, influencing another generation of producers.

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Fatima Al Qadiri (US)

فاطمة القادري (Romanization: Fatima Al Qadiri) is a Brooklyn-based composer, musician, curator and artist. Born in Senegal, Al Qadiri's exposure to the rampant misappropriation of Western subculture while growing up in Kuwait is apparent in her highly virtuosic body of work. She has performed her symphonic and plaintive baroque electronic compositions at The Kitchen, Gallery 179 and Santos Party House and has regularly exhibited multimedia projects in New York City and Kuwait alongside fellow iconoclasts Khalid Al Gharaballi and Lauren Boyle. Read more on . User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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Holly Herndon (US)

Håkan Lidbo

Håkan Lidbo is probably one of the more prolific and diverse producers the electronic music scene has ever witnessed, having released more than 100 records in just under fifteen years. From early experiments in the studio and original homemade releases to becoming one of the most creative and sought after producers in the worlds of techno, electro and house, he has notched up varied releases across a wide spectrum of labels, including the likes of Feis, Chalant, Force Tracks, Frogman, Pokerflat, Plastic City, Lasergun and countless more. One explanation for this spread is the sheer breadth of music his range encompasses, composing everything from Latin Techno through Electro, Synth-pop, Soul, Disco, Click-House and Minimal Dub, imbibing ...

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