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Sigha has been exploring the relationship between functionality & high art in the techno genre for some time now. James Shaw emerged out of London's burgeoning post-dubstep scene in 2009, a series of carefully executed releases offering early insight into the producer's long-lasting preoccupation with intricate sound design & rich tonal finish.
At the heart of the artist's contemporary work is the notion of process – of humanistic development & ritual catharsis through repetition. A binding component of Shaw's artistic premise is an arcane spirituality – the restrained maximalism & cavernous depth of recent dance floor material draws as much from traditional places of worship as it does from the heady, brutalist architecture o...