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Although he has studied composition in formal contexts, including L’Université de Montréal, with Marcelle Deschênes; and IRCAM 2002-03, with courses in composistion and music technology, Jean-François Laporte is more of a visceral, intuitive composer. His artistic formation, however, is more experiential in origin, with an active focus on the natural state of each sound. At once both a constant inventor of instruments, and a creator of sound installations since 2000, Laporte hasn’t yet abandoned the possibilities afforded by traditional instruments as well. Instead, he looks to non-traditional techniques used on these familiar musical tools. Some examples of this branch of his work, and their performers include, respectively: À l’ombre d...