Third Edition Festival for Other Music
Tyshawn Sorey's Trio
Sarah Davachi (CA)
Jean Luc Guionnet
-> lördag 10 februari 2018
Tomoko Sauvage, Japanese musician and artist active since mid-2000's, investigates the sculpturality of sound and improvisation in relation to the environment. Mainly known for a musical/visual research about natural synthesizer of her invention, composed with diverse fluid, bowls, ceramic, light and underwater amplification, Sauvage's approach is attached to questions of alchemy, meditation and balance between hazard and mastery.
Born in Yokohama, Japan, Sauvage moved to Paris in 2003 after studying jazz piano in New York. Through listening to Alice Coltrane and Terry Riley, she became interested in Indian music and studied improvisation of Hindustani music. In 2006, she attended a concert of Aanayampatti Ganesan, a virtuoso ...
Terre Thaemlitz is an award winning multi-media producer, writer, public speaker, educator, audio remixer, DJ and owner of the Comatonse Recordings record label. Her work critically combines themes of identity politics - including gender, sexuality, class, linguistics, ethnicity and race - with an ongoing critique of the socio-economics of commercial media production. This diversity of themes is matched by Thaemlitz' wide range of production styles, which include electroacoustic computer music, club oriented deep house, digital jazz, ambient, and computer composed neo-expressionist piano solos. Accordingly, her audio projects have found release on an eclectic variety of record labels ranging from the Deleuze-influenced label Mille Platea...
Sarah Davachi (b. 1987, Calgary, Canada) holds a bachelor's degree in philosophy from the University of Calgary, and a master's degree in electronic music and recording media from Mills College in Oakland, California. As a composer of electronic and electroacoustic music, Davachi's compositional projects are primarily concerned with disclosing the antiquated instruments and forgotten sonics of a bygone era in analog synthesis, with concurrent treatment of acoustic sources – particularly organ, piano, strings, and woodwinds – often involving de-familiarization through processing. Her work considers the experience of enveloped sonic dwelling, utilizing extended durations, psychoacoustic manipulations, and simple harmonic structures that em...