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Being a hobby break-dancer back in the days was the first step for eleven year-old Martin Landsky to discover his passion for black dance music. Using the pause-key of his tape deck he started to create minimal loop tracks of early funk and rap classics for his performances on the street as well as in contests.
His interest in manipulating sound was unstoppable. Young Martin Landsky spent all his money to buy a second tape deck and a primitive mixer. After that he took his father’s pitchable turntable and "raped" his family‘s Bontempi organ to design rudimental megamixes of his favourite tracks.
Influenced by an older friend who was DJing as well, nightlife became more interesting for Martin, he started to spin at s...